Do you have a story in you? Of course you do! Come write with us for the Dabble Writing Challenge.

Can't get a clear answer on how many scenes should be in a chapter? Here's how to calculate the answer for your book.

There's no easy way to determine how many chapters you should have in your book, but let's figure out how many will work for you.

You’ve cobbled together 100K words of sheer brilliance, but now you must tackle the hardest task. How do you write book titles, anyway?

Not sure how to describe clothing writing? It's easier (and more fun) than you might think. Here's everything you need to know.

How to start a first chapter: include action, character, plot, emotion, and motivation or you’re going to lose your reader.

Want to learn how to write exposition that's not so explainy? Divulge compelling backstory using these tried-and-true tips.

How long should your chapters be? On average, chapters tend to range from 1,000-5,000 words, with most falling in the 2,000-4,000 range.

Outlining your future bestseller isn't easy! But we break it down for you so you can plan a novel that rocks.

The words you use to start a story are some of the most important you'll write. We'll help make sure you get them right!

Chekhov's Gun is a fundamental principle in writing. Join us as we examine what this principle is so you can apply it to your own writing.

In this article, we’ll explore what active and passive writing is and when you should use them. Contrary to some beliefs, sometimes passive voice does make sense. Not everything you write should or needs to be active (though it should be most of the time).

Learn how to write a book synopsis that gets the attention of agents and publishers. It's easier than you think.

3rd-person limited or 1st-person epistolary? Here is what you need to know about narrative point of view and your story.

Writing with proper punctuation can feel like the hardest part of writing. Don't worry, we've made a Beginner's Guide to Punctuation to help!

Author's tone is an abstract, slippery concept. But once you've mastered this skill in your writing, you'll have a powerful tool for captivating readers.

If you’re embarking on a topic that requires a lot of research, you might wonder where you even begin. How do you make use of all those juicy tidbits, and what kind of process should you use to ensure complete and total accuracy?

Prose describes how you write your book, and it can be challenging to get right. So, in this article, we cover what makes good prose.

First person narrative is when you write using the words “I”, “us”, or “we”. It’s when your story is told through the eyes of one person and we spend time in their head, hearing their thoughts and seeing what they see.

Just like a compelling opening, a good ending is a bit of an art form and can take some practice. As with anything in writing, the best way to learn is to read. Think about books with memorable endings that you’ve enjoyed: read them again with a critical eye and think about how and why they work. 

Clichés are phrases you’ve heard so many times they’ve lost all meaning. They’re as dead as a doornail. They’re stones thrown in glass houses. They make your writing seem derivative, boring and lacking in imagination. 

Giving your reader a peek into the mind of your characters can be an effective tool in your writing toolkit, but only if you do it right. In this article, we look at how to write character thoughts.

Dialogue tags are a fundamental part of writing, but they can be tough to wrap your brain around. In this article, we make you a dialogue tag expert!

Fantasy author extraordinaire and New York Times bestseller R. A. Salvatore is one of the most prolific and influential authors in the space today. He recently joined us for a chat about the writing life and his favorite subject, world building.

Scene and sequel create the current that carries your reader through the story. Here’s how to use these tools to craft a page-turner.

Should you use a first-person narrative in your novel? What are the benefits? And how do you do it well? Find the answers right here.

Epistolary is basically the practice of conveying a narrative story through the use of letters, journal entries, or other documents. Once upon a time, that probably meant handwritten notes or mail between characters. These days, it can mean a lot more when you factor in the advent of electronic communication. 

Third-person omniscient narrators are powerful storytellers, but it might not be as easy to write as it appears. In this article, we will decode the secrets of third-person omniscient POV.

The third-person limited point of view is extremely popular in novels of all genres. Learn why and how to master this narrative style yourself.

So what is second person, you wonder? Well, it’s when you remove the fourth wall between the reader and writer, bringing your audience into the action. It can be used to make your story more interactive. 

Not sure what tense you should write in? Opinions about, but only you know best. This article will help you choose the best tense for your story.

Writing with multiple perspectives can elevate your story from good to great, but it's not as easy as it might seem. Join us as we cover everything you need to know about writing from multiple points of view.

One of the most important decisions you can make regarding your novel is deciding what point of view you choose to tell it in. In fact, it might be considered the most important decision you make, second only to perhaps picking whose points of views you’re going to tell your story through. 

One of the most critical components to your scene, writing a good setting takes skill, effort, and intention. Luckily for you, you can learn all about it in this article.

Not sure how to write a theme? Struggling to even think of a theme? Check out this guide to building a story that means something.

Beta readers are an integral part of perfecting your book. So should you pay these helpful readers? Usually not, but in this article, we'll cover why, when you should, and what you normally do to thank them.

When it comes to making your reader's heart beat in fear, few things are more effective than adding suspense to your horror story. In this article, we discuss the ins and outs of adding suspense well.

Voice versus point of view. These are terms that get bandied about a lot when we talk about our writing. But what do they mean, and are they the same thing?In short, they aren’t the same thing, though it’s easy to see why some people get them confused. Voice is the style the author chooses to tell the story and point of view is the perspective from which the story is told.

Have you ever read a book that just seems to flow? The writing feels effortless and smooth and almost like the literary equivalent of honey? Well, then you’re reading lyrical prose, my friend. It’s a style of writing that relies on a few techniques that make use of similar sounds and cadence to help create a more fluid and musical style of writing. 

A prologue can be a powerful addition to your story, but only if you get it right. In this article, we discuss how you can find the perfect length for your prologue and what you should include in it.

Think about the worst pain you’ve ever experienced. How would you have described it when you were in the moment? What did it feel like? Did it have a color and texture? Maybe even a sound or a smell? Did it make you perceive your world in different ways? Did you notice what was going on around you? 

These free Don't Tell worksheets will help you perfect your prose and write a story that feels real for your reader. Learn how to stir emotions and communicate theme without all the clunky explanations.

Knowing how to end a chapter means knowing how to keep readers engaged and hungry for more. Power up your writing with these must-know tips and get inspired with 16 chapter-ending ideas.

When you’re finding a character’s voice, you’re basically Dr. Frankenstein trying to source the electricity that will bring the monster to life. Here's how to turn a pile of character traits into a living, breathing being.